Dj_Rasko Posted January 6, 2005 Share Posted January 6, 2005 OK.. i broke my hand 3 days ago, and iv just come back from the physio. He sed i should'nt do ne thin with my right hand (x-fader hand) for more than 3 weeks, so i was wonderin if any of u lot cud suggest sum faderless techniques for me to learn ? Quote Link to comment Share on other sites More sharing options...
Nimrod Posted January 6, 2005 Share Posted January 6, 2005 check the ever for a (pretty much) complete list of faderless sheeeeet... http://www.asisphonics.net/theever.html Quote Link to comment Share on other sites More sharing options...
Steve Posted January 6, 2005 Share Posted January 6, 2005 I'd practice loads of different tear combos. Once your fader hand is better, you can add clicks and get some funky new styles going. Quote Link to comment Share on other sites More sharing options...
2ndhand Posted January 6, 2005 Share Posted January 6, 2005 too truelearn the prism hand movementand rule the clover tear while your fade hand resteth Quote Link to comment Share on other sites More sharing options...
Dj_Rasko Posted January 6, 2005 Author Share Posted January 6, 2005 cheers man, iv heard tht the tear is a scratch that should b focused on aa lot and that it unlocks many different combos?! I broke my hand by punching a wall ... stupid i kno but i was propa angry. The bone completely snapped. initially i was gonna hav to hav pins but they put me on laughin gas ( but it didnt fukin work) and they adjusted the bone. got to move my hand/ fingers every half an hour... if i dont i cud develop a claw hand hahaha. Quote Link to comment Share on other sites More sharing options...
2ndhand Posted January 6, 2005 Share Posted January 6, 2005 shouldnt hit walls!!! yeh do some tears for a bit. Quote Link to comment Share on other sites More sharing options...
Steve Posted January 6, 2005 Share Posted January 6, 2005 DJ Crazy Lobsta? That could be cool man. You'd be great at crabs then I'm sure. ) Quote Link to comment Share on other sites More sharing options...
Dj_Rasko Posted January 6, 2005 Author Share Posted January 6, 2005 trust me ive learnt my lesson.... Im in constant pain, constant throbbin and my hand always feels like its tightenin up! Quote Link to comment Share on other sites More sharing options...
Guest Ryan Posted January 7, 2005 Share Posted January 7, 2005 I'd practice loads of different tear combos. Once your fader hand is better, you can add clicks and get some funky new styles going.<{POST_SNAPBACK}> Couldnt agree more. shouldnt hit walls!!! Couldnt agree more! Quote Link to comment Share on other sites More sharing options...
Seith Posted January 8, 2005 Share Posted January 8, 2005 I'd practice loads of different tear combos. Once your fader hand is better, you can add clicks and get some funky new styles going.<{POST_SNAPBACK}> Couldnt agree more.couldn't up my post count more.shouldnt hit walls!!! Couldnt agree more!<{POST_SNAPBACK}>couldn't up my post count more! Quote Link to comment Share on other sites More sharing options...
Mixologist Posted January 8, 2005 Share Posted January 8, 2005 tears = the shiznit, my problem is i have trouble making combos with the fader and crap Quote Link to comment Share on other sites More sharing options...
Liam Posted January 8, 2005 Share Posted January 8, 2005 Seeing as you're a lefty record hand guy, I'd suggest improving the more powerful techniques too. As somebody who cuts using my non-writing hand on the record, I find that most things come reasonably through a bit of training, but uzis, fast scribbles and any other techniques that require exceptionally quick moves really do suffer. I can do these fine with my right hand, but I feel natural flowing with the left. If you identify with any of that, I'd suggest throwing in a bit of practice doing those as well as tearing and so forth. If you're able to do a little gentle movement with your right, practice pianos and stuff like that. It's quite hard to find the right place to tap when you're a lefty, but I like to use the gentlest touch of my right on the record just left of the power knob (on a Tech) to perfom faderless clicks, tending to hold my hand as flat and parallel to the record surface as possible when I do. I do envy right-ies when it comes to faderless stuff, the fader hand is much closer to where it needs to be. But with a reasonable amount of practice, I'm sure it makes little difference. Don't be surprised if you skip a lot at first, it takes an incredibly delicate touch. I reckon if your hand is as painful as you say, you'll have an incredibly delicate touch!! Quote Link to comment Share on other sites More sharing options...
Dj_Rasko Posted January 8, 2005 Author Share Posted January 8, 2005 cheers for the response lads. Im tryin all this ish now.Maybe it was a good thing i broke my hand.... :bold: or not haha. Quote Link to comment Share on other sites More sharing options...
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