twitch

Yo, i'll be in on this..

Bumped.... I need more answers....

Yeah - sounds easy. But i just aint gettin it. I cant automate anything. Even volume. I have used heapsa programs, cubase, fruity, protools, garage band on mac, a bit of logic on mac and have understood most of the application - but this one is shiten me. Seems like it should be easy - its pretty much the same as garage band - but it just doesnt work for me. Tryed finding manuals on the net.. All shit. No detail. I use acid5 to record all my stuff now so i need to know more about the program.. Any help appreciated... Werd

Woodpeckers?

I new to this program and need to find volume automation... Seems simple enough... Cant find it tho...

My toys..

Short answer is yes.

Back to the original thread about reversed patterns... Check these ones... http://www.geocities.com/table_twitch/mirrored2clickwood.mp3 http://www.geocities.com/table_twitch/mirrored2click.mp3

Chill bro I can apply the TTM spec to my system no problem - there almost the same anyway. Im just not understanding why my drawing couldnt be interpreted back across to the TTM spec. It wasnt meant to be the new set standard of cataloging scratchs, i was actualy trying to show the more technical scratchs like the twiddle-1click / crab-tranform / and how they can always be back related to the simplest scratchs in regard to fader/record timing. Instead we got pulled up one scratch number 1 on how its not an acurate representation of the scratch - it wasnt - and i know that, but in regards to fader timing and relationship - it was - and thats all i was trying to do. As far as im concerned, scratching is about timing, not about how much gap is between each bit of the scratch... Look at it how u want...

Right now at this very second... Haha, What, yeah , check it out - yeah on Cop Porn track 7 or 8

Yeah man, notation should have ground base. Somthing everyone can read and understand with all variables considered.. A Hard task when both aspects are tottaly analog and then converting them to a single digital, 2d, flat drawing in MS Paint.. Yep - Sydney...

OK agreed - 1 dot isnt sufficient for noteing exact fader position. I resign... Defeated... But i still think it works....

And im having mental hemorrage trying to explain! http://www.geocities.com/table_twitch/transformedit1.JPG Yep exactly - but i assume those different length gaps can be figured out if u give them the middle point and timing. Nope - but transfoms have the same middle timing as a flare - a transform is a flare with the ends closed in. Completly different fader style needed, but, the middle click timing is same. Try to see the relationship from transform - across to cresent flare(still yet to be argued!!) and up to single click flare - all have same 2 cuts at same time.. http://www.geocities.com/table_twitch/scratchnotation2.JPG

But the dot itself represents the fader click right? ^^^^^^^^^^^^^^^^^ NO NO NO NO NO NO NO It represents the MIDDLE of the cut - give or take a few milleseconds each side of the red line is the actual sound being switched off then on- the red line is just the guts of the cut. Also the first red dot doesnt represent a click - just that u start with a closed fader.. As there should be one at the end of the scratch to represent the end being cut and kept shut.

Works for me... I dont see any complexity...