Thanks Broma! More than happy to nerd out haha. There's a reason I decided to finally make an album after 7 or so years producing. The only DAW I've ever used is Reason, which used to be pretty rigid when it came to working with samples. You couldn't timestretch anything and you had to use a separate bit of software called Recycle to chop things up - that was only really effective for drums as well and didn't suit working with longer samples. You couldn't even import audio files, it was really basic. When I finally upgraded from Reason 4 to 7, it had a new timestretch feature which gave me a creative freedom that I didn't previously have so I decided to put it to use and attempted to make an instrumental album. The majority of Jaguar is composed of samples which are a mixture of things I've recorded from vinyl and bits I've found on the internet. I love mixing the two together; for example, Ceviche combines samples from an old jazz vinyl I bought in Kent with a Childish Gambino cover of Tamia's 'I'm So Into You' I found on YouTube. I like the thought that those things categorically do not belong together but it somehow works. I also wrote some new instrumentation on most of the tracks but it's all pretty basic and isn't that interesting. In terms of gear, it's pretty straightforward; Jaguar was made exclusively in Reason with an MPK Mini and some Beats By Dre headphones as monitors (not something I would recommend trying, made it a nightmare to mix down!). Apologies for the essay, hope that was of some interest. More than happy to answer any specific questions if anybody has any.