2tall

hey all, this popped up in my google alerts, thought i'd drop some words in. indeed I am now working as Om Unit, full time I might add - took me a while but glad to say I've found my groove finally. @jon - Coco B is now "sleeping giant" - he's got some great soul tracks coming soon, with some fantastic vocalists. Bryce is another fella all together. And indeed I shall be in Computer Music soon, talking about how I put together my track "Dark Sunrise" big up etc..

it sound's like this at the moment..

hey, this is out everywhere if anyone wants it. 2tall is no longer i just can't be arsed re-registering a new name. @kut_class the intro theme is almost identical to a yazoo track (80's thing)

ok forget it, i have sl3.

hey folks what do you guys and girls use to tag up mp3s with a bpm these days? any one better than the other type of thing? i remember using one years ago that was WASTE

http://soundcloud.com/omunit/searching including remixes from EAN (Former producer for various production) and Adam Freeland. enjoy!

his 30 years of hiphop mix is insane

grandmaster caz and caribou, chris daddy dave on drums

new madvillain more e40!!

30 or so of my best scratch beats.. http://www.mediafire.com/?oo2q1znjlwz enjoy! Direct link: - http://www.djfbattles.com/sigma/2tall_classic_scratch_beats.zip

I played a toadstyle freestly to my music diploma class back in '02 my aim was to show how the turntable had a musical application. people didnt get it at all.. it wasnt even met with critisism, they just had no context whatsoever.

Tape basically will give you a more accurate reflection of the pure input at high frequencies, provided it works ok. essentially digital mediums despite having oversampling and all that suffer from aliasing (basically strange harmonics) at the higher end. (this is at 44.1khz) this explains why vst synths generally sound nasty as hell at the very top.. unless you use fabfilter plugins that have aliasing control and sound a lot 'purer' tape does loose out down the bottom though, sub bass tends to roll off and go fuzzy. essentially compressing the signal before taping gives a lovely rounded sound, i'd say get a decent matched 2 channel compressor like a neve strip and give it a go.. really it depends on what you are putting to tape. if you are using a session from say logic or cubase, that is working at 44khz it will just add some tape roundness. but if you're running a high def audio session it will make more of a diffrence.. especially if you're cutting to vinyl. there are still cutting houses that will accept a 1/2" tape format.. but really 'that tape sound' comes from compressing to tape from a decent source (i.e. mixed at high def. through an analogue desk and run through a high quality compressor) so basically you'll need to spend more money to make it worth it in a mastering sense. one cool thing to do though definaetly is run things like synth parts to tape, as the saturation can add some great harmonics to the mids and highs. hope that helps!

np

It's a digital extra for the corridor EP coming on terrorhythm records in about 4-6 weeks, i'll sort you out some tunes when we play in Leicester