namelesswon

The Ruck is gonna be pissed

cheers for the replies. Found these other projects too http://djworx.com/two-new-fretless-fader-projects/ If anyone is down with Beezy still or any of the other pioneers in the link and can convince them to open source that shit that would be some cool shit. peaccee and sorry for not keeping in touch dudes

bump. what up. peaceee

Anybody know what happened to this? Peace

you need to search for "paedophile in the hood" loop on the innernets

cheers Jim. Long time no speak since...Asis days?

Any one fuck with these? Picked up some 1/2" two tracks want to use them for analogue recording. Do you just straight master to them for tunes or are you 2/4 tracking them in mixes record to tape etc.. What do I need to look out for with them? Are you using foot triggers? Anyone taken a tape master to a vinyl cutter? Thanking you in advance for your experience and knowledge. Peace

There is alot of satire in his music as well as a technical and experimental virtuosity. I suggest We're Only In It For the Money as you if you have a broad pallette you may get the references and parodies. Hot Rats has been sampled the most but Apostrophe is worth checking too. Also check out the youtube stuff theres some amazing shit from the early 60s when he was doing avante gard stuff, theres a clip where hes on some talk show playing a bicycle to everybody's derision. check out Cap Beefheart too, the Magic Band still tour if you ever get the chance. Peaaayce

Check out some stuff on the old buddah records label like isley brothers, curtis mayfield, gladys knight, ohio express, bill withers, 5 stairsteps, you know all that funky soul type ish.

i played there like 15 years ago. I'll go if Tom Robinson,Fat Gregg and any of Beggers aint.

Anyone know if there will be a vinyl release of this??

heres some more; 360 degrees strong island (fuck the blue mix) something for the radio Money Mad Style wars

reverse bananna boomerang 2-clicks. geriatric uzis with a windolene hydroplane

go to turntablelab for needle drops to get a rough idea what u want.

thouht this may be of some help; http://www.artscouncil.org.uk/subjects/homepage.php?sid=12 How does CMN work? How does CMN work? CMN is constantly on the lookout for exceptional concepts in contemporary music which have the potential to be developed into a CMN supported tour. CMN is a fantastic resource and works to realise the most creative ideas. The strong relationships we have built with a diverse range of venues and promoters across the country constitute a vital part of CMN’s network. We are always keen to expand our network and develop new relationships, as our portfolio of projects grows ever more varied and adventurous. CMN is able to subsidise the cost of a tour in the UK provide marketing and venue support for the tour supply print and design for the tour secure national and local press and pr all with the aim of enhancing – not replacing – the work that venues, promoters and individuals might themselves bring to a touring project. CMN welcomes proposals from all parts of the creative community – both nationally and internationally. We welcome dialogue with Artists Producers Promoters Arts and Cultural Organisations Agents How does CMN decide what to present in its season? When considering projects, CMN makes an artistic judgement about a proposal or idea, considers the proposal’s audience, marketing and press potential and asks the question “Will the sound and /or concept of this project be new and refreshing or will it, despite being new, simply replicate a traditional or well tried approach and sound?†CMN constructs a series of tours which together make up an interesting and coherent season also develops and presents its own projects or works in partnership with others to develop and present a project CMN is a programming organisation, so whilst a proposal might fit all CMN’s drivers it may not, ultimately, be presented by CMN.