namelesswon

if you ever want to piss of a crowd of people more at a club or bar and watch faces turn from fazed bewilderment to uncertainty and fright, to discomfort and agreesion then try throwing in a juggle battle 32 bar skratch routine in between a jiggy "rap" set. its got to be cash money beat junky style or nothing else cause heads aint ready. some times shit is definitely neede to be left to a jazz club or the kitchen battleroom at a house party.

middlepath

good luck, i know sympathetic mcs hard to come by in the uk, weel ones that are free.

nah, i'm talking about the other mat nice, you know the real one. that hyper tune is great, gonna do any more to it?

ok the mat nice album

Best album 2006 so far arctic monkeys.

p.s. these leads are relevant to your post and are not my all time favourite movie scores/soundtracks, but damn close.

bernard herman - Taxi driver, The Man who knew too much, Vertigo The Day the Earth STood STill John Carpenter - Escape From New York Phillip Glass - Koyaanisqatsi Angelo Badalamenti - Lost Highway, Twin Peaks, Straight Story Goblin(Dario Argento) - Suspiria Denny Jaeger - The Hunger Jocelyn Pook - Eyes Wide Shut Mark Isham - The Hitcher Kenji Kawai - Ghost in the Shell 2 Mark Mothersbaugh - Royal Tenenbaums, Rushmore

yeh huw some one definitely needs to post a vid of this in use but i believe pitch change is done with a pedal like a wah plus you got your standard thumb action biz.

your right its like an analogue synth but with SCRATCHING

when something comes along which adds rather than subtracts and there is a negative response, i have to question that response. what is it with peeps who if they cant understand its application or if at least can see how it might benefit someone else who can , why cant peeps just allow it and stfu? what does happen is that when ever something does challange the status quo peeps extreme reaction shows how peeps think deep down, and in this case it scares me because i get to see the gulf between the so called turntablist community again. This is even more disheartening when you actualy make a living through turntablism and see it as a dissipating fad, the joke of the music industry where you can only aspire to be a background ziggazigga for a shit top of the pops band or to make a dmc final or sell a few scratch tools to the bedroom sleepers stuck in the emulating faustian loop. Its the age old problem which only some peeps can see while others sleep, eg dj vs musician. I dont mean to be condescending but when you reach a level where dj application whether its house techno hip hop etc hits a wall built from the tricks and gimicks mustered from battle dvds and general application you realise that the soul cries to create and join the masses who produce music that you yourself spin and herald. with a hip hop dj its easier as you yourself have seen the beauty of the scratch application. and when you realise that you can invisage or experentially see the limitations posed by the traditional table when you master most techniques you end up longing for that thing which will make your expression more expressive. lots of thing have been produced to help the dj with this furtherment , loop pedals , cd tables (quickly burning scratches to cd particulalry good for experimenting with new sounds to create for scratching) . but scrathing is the one thing which has needed this tonal improvement ever since the disapointment of the qfo. dont get me wrong there is nothing wrong with the battle dj mentallity, you just have to realise it isnt the be all or end all you dont need to be so embedded and that you can start making music too which doesnt rely on the same sounds and other peoples style. when you start hating on things which have been created to help you be more artistic and give you freedom of style or just plane happier you create a gulf and a distinction that shouldnt be there, turntablism includes the dj battle style as well as musical approaches. peace and dont hate , ask woody for more info on the c one. The more we agree on this the more we can see a wider supportive arena for turntable music rather than the insular technical bedroom battle wanking which means more people being able to do this for a living , means more creativity, more gigs and clubs which are truntable sympathetic means more ladies sucking on my nuts more real sex than five knuckle shuffle.

Anybody check his cd "holiday season"?

very Monty Python!!!!! Your DV site user name looks a little suspect... I suppose it can be loosely related to: The ODD ONES who piss in the Qubicles, rather than use the urinals. <{POST_SNAPBACK}> EXTRA NO. <{POST_SNAPBACK}> NO BUT THANKS FOR THE EXTRA QUOTE. MIGHT USE IT AS A SIG.

u dig? trails or smack? I got no time to do anything right now- but i do dig trails from time to time, ready for summer. <{POST_SNAPBACK}> NO. <{POST_SNAPBACK}> BUT THANKS FOR THE QUOTE.

very Monty Python!!!!! Your DV site user name looks a little suspect... I suppose it can be loosely related to: The ODD ONES who piss in the Qubicles, rather than use the urinals. <{POST_SNAPBACK}> EXTRA NO.

u dig? trails or smack? I got no time to do anything right now- but i do dig trails from time to time, ready for summer. <{POST_SNAPBACK}> NO.

what up finally made it to this board. I skratch, write, am in the process of setting up a home studio and live band, draw comics, bomb stuff, dig, and other good stuff. I use to do visuals for Scratch. i use to put up Kr0m£ and Fl*ke for FDC. I worship satan. I work in a library. I live in sw20 London city. I am up for a cut. I am your best friend or your worst enemy. peeeayce