squaddy
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Posts posted by squaddy
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Here's a video of what happens
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cosign. 1 gram works best for me as well..i use Tech M5Gs so i tightened the tonearms with the spring adjustment..together with M447s cant go wrong..unless the record is too warped
When you say you tightened the tonearms, with the spring adjustment what do you mean? Are you referring to the anti-skate spring/cancelling spring or whatever it's called?
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Anti-skate is really about getting the needle to track correctly during playback (generally you match the tone arm weight and the antiskate)... with scratching it's more of an unnecessary hindrance.
For scratching, this will help...
If when your needle skips, it always jumps back to the previous groove - you've got to much anti-skate.
If it skips into the subsequent groove, you don't have enough anti-skate.
If it skips either forwards or backwards in equal amounts, then you've got about the right amount and it's only you're own skills and the quality of your stylus that are potentially holding you back.
The vast majority of scratch djs just leave on zero and keep it well out of the equation. That said, with my current ortofon Q-Berts, headshell weight and the hands I've had since I was born, I find 1 gram of anti-skate works best for me.
My current anti-skate setting is at 0 based on sure's recommendation for the N-447. That's what I'm running on my Techs 1200MK2. Thanks for the info!
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Its a small possibility that the horizontal pivot on the tonearm could be over tightened slightly thus preventing the antiskate's force from moving the tonearm.
Secondly, I've never used antiskate (and I'm a heavy handed mofo) so I doubt you'll be missing anything.
If you want real skip proof action, try and pick up a cheap pdx 2000 or a TT500 :-)
Thank you for your response. I was just wondering if the fact that my anti-skate was not working will affect my cartridge and tonearm performance in any way. Based on your response it appears that there's a possibility that my anti-skate may not be the culprit. I was trying to avoid messing with any of the pivots since any further damage may be irreversible. Nevertheless, I appreciate your reply.
I prefer to stick with my techs though, I really don't have any extra cash at the moment to purchase a new pair of decks. Thanks again for the suggestion, I will definitely keep that in mind.
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Well I have been in the process of reviving my 1200MK2s. Just replaced the rca on one and had an internal ground mod performed. So far so good, except, my anti - skate doesn't work at all.
In order to test my anti - skate, since I do not have any vinyl with a blank side, I simply position my counter weight all the way to the rear of the tonearm so that it's suspended & move my anti skate value from 0 - 3 & vice versa. Nothing happens there is no movement of my tonearm from the spindle to the arm rest...absolutely nothing happens. My tonearm remains at rest.
As for basic/intermediate scratching, I am quite surprised there isn't much skipping at all. The needle stays in the groove for the most part. Of course it can be improved but it only jumps when intense pressure is applied with techniques such as scribbles etc.
I guess my question here is: If I do have an Anti - Skate issue should I replace the fixing plate or do you think I should just replace my tonearm?
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There are some nice tracks in this mix. Enjoying it so far.
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Great pics.....thanks for this
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Good find! Thanks for the heads up
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Classic by Kanye/Rakim/Nas/Krs is quite a track. Common had a good year also but I would say Classic.
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I think it's just cool and kinda more interesting.
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I just edited with the link-totally forgot.
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I just wanted to lay down a short session. I think it's like 22 minutes or somn. Enjoy the mix and leave some feedback if possible, thanks.
Here's the link:
http://www.musicv2.com/listen.php?m=42501
Tracklist:
1.) Eric B & Rakim-Paid In Full(Seven Minutes Of Madness The Cold cut Remix)
2.) Channel Live/ Krs-One-Mad Izm
3.) Krs-One-Sound Of Da Police
4.) O.D.B-Shimmy Shimmy Yaw
5.) Wu Tang Clan-Wu Tang Clan Ain’t Nuttin’ To F*** Wit
6.) Naughty By Nature-Hip Hop Hurray
7.) Black Sheep-This Or That (The Choice Is Yourz)
8.) GangStarr-Just To Get A Rep
9.) Mad Lion-Tek It Easy
10.) Capleton-Tour (Lil’ Jon & Paul’s Mix)
11.) Capleton-Inna De Fire (Black Chiney Mix)
12.) Cutty Ranks-Armed & Dangerous (Remix)
13.) Cham-Man(Rage PB Remix)
14.) Lexus-Dead Now(Rage PB Remix)
15.) Super Cat/Heavy D-Dem No Worry We (Remix)
16.) Super Cat-Ghetto Red Hot (Remix)
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dude, i wish i had ur problems. i wish i could find my way in the real world. but when it comes do djing all well known dj's are producers, used to dj for a well known group or they are battle winners...
Not saying it's 'the problem' of all problems, it's just one of my frustrations with being a dj. To me, it's the only one thing that plays on my mind. Everything else in my case can work itself out. Finding yourself in the real world is an entirely different beast.
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Cool..never heard of the battle but congrats for catching third place.
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Good job Cable! That intro is tight! The one thing I noticed was that the samples on the intro were a bit too loud, either that or bring up the volume on the instrumental. Nice juggles on the Sexy Back. Pretty decent mix to me, props for the reggae.
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You guys ever feel like you can't find your way in this 'djing' world? It almost feels like every aspect of 'djing' has been exhausted-there is nothing new and innovative that any one dj can possibly create or even re-create. There are great djs out there, I have no doubts about that but one has to wonder how some of them stay ahead of this game. Is it because most of the top djs have developed some unique style or have created something that we all implement into our styles today.
I guess my point of this thread is just to express my current frustration with 'djing.' There just seems to be no avenue for upcoming or even seasoned djs to make a mark. Do you guys feel the same or are your experiences very different?
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Judging from what I've experimented with; the CP-Pro from Numark is currently at the top of my list. I haven't used Ecler's Eternal, and the Pro X Fade that I have used for about five minutes wasn't a memorable experience. I am not too crazy about Vestax's PCVs, there was some awkwardness when I gave it a test run. P&Gs are pretty decent in my book but that's comparing it to some of the older alps that I may have used in the past. So for now, I can safely state that the CP-Pro is the best fader I have used since I currently own a Numark DXM Pro.
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Nice! Thanks for sharing.
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Being a good all-rounder....
Good examples - Jazzy Jeff, Shortee Blitz, Cash Money, Spinbad....
i would agree chris if jazzy jeff didn't always play the same set.
Jeff is nice! I haven't seen him live, so... I don't know how his entire sets go but I have seen a few short videos. Probably someday I can see the guy live, but these djs hardly tour NY and I have no idea why.
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track selection and mixing techniques
style and presence
For some reason, I think you hit the nail on the head.
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myself i play pretty much just 45's no serato.
I'd describe my style as a smasher,droppin tunes little bit of mixin rewinds.stoppin the record and building a bit of hype.
And just generally playin the best records i can.
I hear that matt. In not so many words you're just doing what you feel is best for you-I'm with that!
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penis size
Nice one! probably more of us should buy enlargers or an enhancement of some kind.
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"how the hell can I get ahead in this game?"
If you're talking about general DJing - mixing and DJing in clubs - I'd say it's more to do with who you know and luck than anything else.
True, as it concerns general djing but it's getting to know the important people, that seems to be the challenge-every other dj is already standing in line trying to get their chance.
What about a straight up scratch dj? Having dope skills is one thing but I guess it also boils down to who you know. No?
"how the hell can I get ahead in this game?"If you're talking about general DJing - mixing and DJing in clubs - I'd say it's more to do with who you know and luck than anything else.
word.. Iv'e been in a million bars with a million wank dj's. I was in Ibiza back in 98 chillin in a bar and the dj was so shit my mates blagged me 45mins there & then playing his records...kinda embarrising for the guy but a great night for me. If your friends with a promotor or bar owner then you'll have an easy time of it.. its all about networking.
Got ya! I believe this is one of the reasons I hardly go out these days. I am a bit too critical as a dj listening to another.
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This is the third show now. To be honest i have no idea how many people tune in, i only know how many downloads the recording gets! lol!
I see. That's not so bad, at least you have an idea of how many peeps checked it.
How does Anti - Skating affect your scratching & back cueing? It doesn't seem to affect mine much.
in EQUIPMENT & AUDIO PRODUCTION
Posted
Thanks for your insight Chris, I guess I have been misled or confused by too much information & rehearch. I just wanted everything to be in tip top shape when scratching & spinning.