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djmikec

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Posts posted by djmikec

  1. I had him as a guest interview on my new radio show CUTITUP, and I told him about that one thread on here where you guys list all the samples you've identified from Phantazmagorea, haha. We also talked about his recording process, guest DJs featured on his upcoming album, a trick that Q-Bert shared with him for recovering from scratch fuckups on stage, and a bunch of other stuff.

     

    The episode with his interview aired on Dash Radio earlier tonight, and is now archived in two parts on Mixcloud. You can listen to it here:

     

    https://www.mixcloud.com/CUTITUP/

     

    Enjoy!

    • Like 13
  2. Hey folks, I think some of the barriers to entry for people who might otherwise get into scratching have traditionally been equipment cost and lack of understanding regarding gear requirements. So I made a little guide to show people how they can get started at scratching by only spending $155 or so in equipment costs. Feel free to share with anyone who might find it useful ✌️

     

    https://www.skratchsnobs.com/start-skratching-now

    • Like 2
  3. Hey DVers,

    I've made an album of my instrumental beats and cutting, called "Waterview Ways," under the artist name Mike C Killin It. The album is available now for streaming on Spotify, Apple Music, Tidal, Amazon, and all the major digital outlets. Anyone can also bump it for free on YouTube (link below). I think of it as an album of beats influenced by DJ Shadow, portioned in small servings like Donuts, with skratch composition inspired by D-Styles and sampled skratch hooks like DJ Premier's. The beats are all sample-based, augmented with some synths and basslines and stuff here and there. As for the cutting: I tried to focus on composition and simplicity, and creating actual composed music (as opposed to someone just doing endless freestyle solo cutting over a looper). If this sounds like your kind of thing, check it out and enjoy! ✌

    Play the album on Youtube

    • Like 4
  4. Hi DV folks,

     

    Since some of my favorite scratch records have come from people on this very forum, it means a lot to be able to share about my own record here. Thanks for the inspiration!

     

    kq+table.jpeg?auto=format&fit=max&h=1000

     

     

    Truth be told, it's easy to make any old skratch record. But serious cutters can tell the difference between an okay record and a really good one; so we (Mike C and Don Paco) put a ton of thought and effort into creating a record that we would want to use for ourselves. We hope you'll enjoy it too!

    First, the format: No ultrapitch on this one. We like using ultrapitch, but we recognize that not everyone has that feature on their setups; and we intentionally wanted to make a record that everyone could use and enjoy.

    Also: no beats, drums, tones, or disses. Just 14 skip-resistant sections of straight-up scratch samples and phrases that you'll enjoy cutting with, period. One side curated by Mike C, the other by Don Paco.

    Mike C's side is the distillation of years spent digging for and collecting dope scratch samples and phrases, from anywhere EXCEPT from existing skratch records. (The last thing we wanted to do was repackage a bunch of sounds from Hee Haw Brayks, and then turn around and sell you that as if it were something new.) So Mike C's side consists entirely of sounds and phrases that have never appeared on any other scratch record before. (Except that there's an ahhh. Gotta have an ahhh on there.) We also sonically altered the attack (beginning) on some of the samples, to give them that special crispness needed in a good skratch sound.

    Don Paco's side is made up of sounds specifically selected by the demented skratch monster himself. DP insisted on his side including a couple of the standard sounds that hardcore cutters require; and then in addition, he gives you some dope phrases and introduces strange, exotic noises from video games and who knows where else.

    Anyway, we hope you dig it. The project was mastered for optimal audio quality by A1, with artwork by Zalamedia. And the title? Both Mike C and Don Paco now stay in Los Angeles; but Mike is originally from Sacramento (home of the Kings), while Don Paco hails from Queens, New York. Notice the Kings and Knicks colors?

    Lastly, this project is dedicated to all you Kings and Queens of skratching all over the world. Enjoy!

    For more info about the record, including needle-drop previews of both sides, you can visit our website HERE.

    Thanks again DV folks! We are very happy with how the record turned out, and my hope is that it lives up to your standards for cutting as well.

    Peace,

    Mike

    • Like 5
  5. Do it anyway Savwar! More than enough space for everyone's thoughts to be shared. And who doesn't love some shit talking? lol

     

    Glad you like the channel. For anyone who hasn't seen it, here's us looking at probably my all-time favorite beat juggle set: "KNT" by the late great Swift Rock.

     

     

    yeah those guys have a good channel.

    they do breakdowns of famous routines, something i wish i'd done.

    i always wanted to do a commentary for some classic battles with other djs. might still at some point.

    But it could reduce into serious shittalking.

     

    they do atraks space dust here

    • Like 1
  6. Thank you Diggla! I feel like understanding this concept was a giant "before" and "after" in terms of my own beat juggling, so I'm happy to share it with people =)

     

    That was awesomely me Mike. Really well explained where even I could easily wrap my head around it.

    • Like 1
  7. Thanks for watching, glad you dug it! More on the way 👊

     

    Nice video, thanks for the share. Checked out the channel, dope content, especially the 'best of bodytricks compilation' put a smile on my face. Such an underrated art form these days... :d

    • Like 1
  8. Cool! Yeah it definitely isn't a new concept by any means, but it is a really helpful one and I learned it from watching the Melo-D routine featured in this video. Sky's the limit from there 🤘

     

    I know that first pattern (tapping through one beat on one deck and back spinning a single sound on the other) as a "broken chase". I don't really know where I got that name from but I have a feeling that it may have been mentioned on the Shure Turntablism 101 video (possibly the Rob Swift section). It's been a long time since I've seen that video though so I might be completely wrong..

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