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Getting clean vocal cuts


x2k

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Some thing that really pisses my off is when I see someone cutting with superseal and the sound coming out goes "ah ye ye yeah"

 

This reason it pisses me off is because when I cut ah yeah it goes "ah fdhy fhsy eereah"

 

I just can't for the life of my get the beginning of the yeah, I get it with many different samples, unless you get a nice clean tight start I just can't get that clean chop.

 

Anyone get any tips?

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Yeah I mean releasing the record and I'll post a file soon. The thing is even if I just slow the right down and just try and find the beginning of the word I can't real find it as the 2 words sort of run into each other so I can get that sharp ye ye yeah.

 

Something like say what is completely different because the words are properly separate but some how people get really clean ye ye yeahs

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what got my phrasing alot better and then in turn what you're talking about is only cutting with accapellas for a while.

 

it was annoying at first cos you really can to be on point, but i was enjoying it so didnt mind that much. Then after a while once you start getting comfy with it, going back to a one word sample is pretty easy.

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what got my phrasing alot better and then in turn what you're talking about is only cutting with accapellas for a while.

 

Don't use phrasing like this or I'll delete the entire board.

 

Phrasing is this:

 

http://www.youtube.com/watch?v=Q5z4RkiGxJQ

 

Phrasing =/= scratching phrases.

 

(for further reading see: http://en.wikipedia.org/wiki/Phrase_(music))

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what would you call what im referring to then Vekked?

 

Sentence scratching or vocal cutting or word cutting I suppose, it's just that calling it phrasing is confusing because phrasing already refers to an important/relevant musical concept that's been used to describe scratching for a while now. You're not the first or last to use phrasing like that tho.

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This is just about being to do stabs efficiently, no? Stabs are an overlooked but really important thing to practice... I learned to do em fast by copying the Piklz' famous stab routine at the end of their ITF team entry vs. the X-men, aka the 'Piklz vs klamz of death'.. have a go, it may help..

 

you can hear it @ 12.50 mins here

 

 

http://www.youtube.com/watch?v=tjJ4-GIWBDk

Edited by Danny Crash
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I think it's not stabs specifically, but like release stabs. I don't really do release stabs often but I know they're not nearly as tight as my normal stabs. Some people seem to be able to do release stabs really fast tho (Qbert, Unkut, and I-Dee come to mind)

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Yeah there's a difference between these ('cuts' or 'forwards') and stabs. Stabs you hold onto the record and with 'cuts'/'forwards' you are letting go of the record.

 

In my DMC routine I posted at 0:32 i do stabs and at 0:33 i directly follow them with cuts/forwards. When done quickly stabs have a slight pitched sound to them, whereas forwards/cuts are much cleaner and are a bit like hearing the same sound played over and over again.

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"Release stabs"?

 

A forward is when you play a full sample at the regular speed, close the fader, pull it back, then play it again. "say what..what..what..what" for instance.

 

A stab is when it's just the start of the sample, so "say..wh..wh..wh..what".

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Then it's a stab.

 

http://www.youtube.com/watch?v=xRvGrxj6hQ0

 

From 4 minutes on, that's all stabs apart from the forward at 4:12 (then obviously there's other scratches after that).

 

It would be silly if a stab was any "tip" type scratch that was anything but the sample at its regular speed.

 

A mix of stabs and forwards I recorded as an example for someone about 5 years ago: -

 

Stabs.mp3

 

And all of that is pretty much the record going forward at its set speed, but it's not all forwards.

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